Pre-1350 History
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AD
33
Death of Jesus in Jerusalem
Following his public crucifixion in Jerusalem, permission is sought from the Roman Governor Pontius Pilate to release the body for burial. After verifying that Jesus is dead, Pilate agrees. The body is taken down from the cross, wrapped in linen cloth and placed in a tomb cut out of rock.
“As evening approached, Joseph of Arimathea, a prominent member of the Council, who was himself waiting for the kingdom of God, went boldly to Pilate and asked for Jesus’ body. Pilate was surprised to hear that he was already dead. Summoning the centurion, he asked him if Jesus had already died. When he learned from the centurion that it was so, he gave the body to Joseph. So Joseph bought some linen cloth, took down the body, wrapped it in the linen, and placed it in a tomb cut out of rock. Then he rolled a stone against the entrance of the tomb. Mary Magdalene and Mary the mother of Joseph saw where he was laid.”
Gospel of Mark – Chapter 15: 42-47 (NIV)
“Early on the first day of the week, while it was still dark, Mary Magdalene went to the tomb and saw that the stone had been removed from the entrance. So she came running to Simon Peter and the other disciple, the one Jesus loved, and said, “They have taken the Lord out of the tomb, and we don’t know where they have put him! So Peter and the other disciple started for the tomb. Both were running, but the other disciple outran Peter and reached the tomb first. He bent over and looked in at the strips of linen lying there but did not go in. Then Simon Peter came along behind him and went straight into the tomb. He saw the strips of linen lying there, as well as the cloth that had been wrapped around Jesus’ head. The cloth was still lying in its place, separate from the linen. Finally the other disciple, who had reached the tomb first, also went inside. He saw and believed.”
Gospel of John – Chapter 20: Verses 1-9 (NIV)
48
Paul writes to the Galatians
In his letter to the Galatians, the Apostle Paul rebukes the Christian community there for being led astray by false teaching, he also makes a curious reference to them having seen with their own eyes something that clearly showed that Christ has been crucified.
“You foolish Galatians! Who has bewitched you? Before your very eyes Jesus Christ was clearly portrayed as crucified.”
Galatians 3:1 (NIV)
The Galatians did not witness the crucifixion of Jesus, which took place at least 15 years earlier and hundreds of miles away. Bible scholars have struggled to interpret this statement from Paul. How could the Galatians have seen the crucified Jesus “clearly portrayed” with their own eyes? What had Paul shown them?
50
Death of King Abgar V of Edessa
According to legend King Abgar V was the first ruler to embrace Christianity. A later written history of Edessa (now Urfa in Southern Turkey) records that a cloth bearing “an image of Christ having been imprinted upon the linen” was brought to Abgar by Jesus’ disciple Thaddaeus (Jude) and used to heal him of a painful affliction.
65
Paul writes to Timothy
From Rome, the Apostle Paul writes to his travelling companion Timothy asking him to bring him am important length of fabric that he left in the Greek city of Troas (today called Eski Stambul) 1,600km away.
“When you come, bring the cloak that I left with Carpus at Troas, and my scrolls, especially the parchments”
2 Timothy 4:13 (NIV)
Why would Paul want Timothy to bring a cloak 1,600km when he had friends in Rome who could get him one immediately? The Greek word used here “phailonen” doesn’t actually mean a cloak, coat, or warm garment, and doesn’t appear anywhere else in the Bible. The word means a long covering which displays (or carries) information on it. Was Paul using this obscure word to hide the true nature of the item he was requesting?
68
Icon travels from Jerusalem to Syria
According to the writing of Bishop Athanasius of Alexandria (c. 328-373 AD) the sacred icon (image) of Christ was taken north from Jerusalem to Syria in 68 AD.
“Two years before Titus and Vespasian sacked Jerusalem, the faithful and disciples of Christ were warned by the Holy Spirit to depart from the city and go to the kingdom of King Agrippa (Syria). Leaving the city, they went to his regions and carried everything relating to our faith. At that time even the icon (image) with certain other important church items were moved and they today still remain in Syria. I possess this information as handed down to me from my migrating parents and by hereditary right. It is plain and certain why the icon (image) of our holy Lord and Saviour came from Judaea to Syria.”
Bishop Athanasius
216
The Hymn of the Pearl
Within the apocryphal Acts of Thomas is a poem called ‘The Hymn of the Pearl’. It contains some intriguing imagery referring to a garment (fabric) with an image divided in two halves (front and back) bearing the image of the King of Kings. The author is believed to be the Gnostic poet Bardesane of Edessa c.216 AD, but it may have been written years earlier.
“Suddenly I saw my garment reflected as in a mirror, I perceived in it my whole self as well and through it I knew and saw myself. For though we originated from the one and the same we were partially divided, then again we were one, with a single form… One royal symbol consisting of two halves…And the image of the King of Kings was all over it”.
325
Bishop Eusebius of Caesarea writes of King Abgar V and Thaddaeus (Jude)
In his Ecclesiastical History of the Church, Bishop Eusebius of Caesarea describes a great vision of Jesus that King Abgar of Edessa received when he was visited by Jesus’ disciple Thaddaeus (Jude). Though Eusebius does not specifically mention the Holy Image that Thaddaeus is said to have brought with him, he writes that people who were “standing by” did not see the visual phenomenon. It has been noted that the faint image on the Shroud of Turin can be difficult to observe when standing next to it.
“So, Tobais rose up early the next day and taking Thaddaeus came to Abgar. Now as he went up, while the king’s grandees were standing present, as soon as he entered a great vision appeared to Abgar on the face of the Apostle Thaddaeus. And when Abgar saw this, he did reverence to Thaddaeus, and wonder held all who were standing by, for they had not seen the vision which appeared only to Abgar.”
Bishop Eusebius

525
Mysterious cloth found in Edessa city walls!
During repairs to the city wall following a devastating flood in Edessa, the cloth is unexpectedly discovered hidden in a niche. In the decades that follow, pilgrims flock to the city to see the mysterious face “not made by human hands”. Paintings depicting the distinctive features begin to appear throughout the Christian world. Some artists depict the cloth in a wide rectangular frame with a hole cut into the centre to display the face. Contemporary accounts refer to the cloth as tetradiplon, a Greek word meaning “doubled in four”, suggesting that it is much larger than the part on view to pilgrims.

544
Divinely wrought image repels siege!
In his Ecclesiastical History written in 593AD, Evagrius Scholasticus (c.536-594 AD) describes how the Edessans used “the divinely wrought image, which the hands of men did not form” to repel a fierce siege of their city by the Persians in 544AD. The citizens of Edessa attributed their deliverance to the miraculous image.
The enemy, Chosroes, built a large mound of timber and earth against the city walls from which he could launch an attack. The Edessans tried to tunnel under the mound and use fire to destroy it but were unable to set it alight.
“In this state of utter perplexity, they bring the divinely wrought image, which the hands of men did not form, but Christ our God sent to Abgarus on his desiring to see Him. Accordingly, having introduced this holy image into the mine, and washed it over with water, they sprinkled some upon the timber; and the divine power forthwith being present to the faith of those who had so done, the result was accomplished which had previously been impossible: for the timber immediately caught the flame, and being in an instant reduced to cinders, communicated with that above, and the fire spread in all directions.”
Evagrius Scholasticus
600
Greek document describes how Edessa received the Holy image
The Acts of Thaddeus, a Greek document thought to have been written around the seventh century describes how Edessa received the Holy image. According to the unknown author, the image was personally imprinted on the linen by Christ when he washed his face on a towel and presented it as a gift to King Abgar. The Edessa Cloth also becomes known as the Mandylion (Byzantine Greek for a small cloth or towel).
A later Greek manuscript of the Acts of Thaddeus dating from around the ninth century notes that the “towel” mentioned in the original text is tetradiplon, which means ‘doubled in four’ and the “linen” is sindon, which means a large linen sheet.
“In those times there was a governor of the city of Edessa, Abgarus by name. And there having gone abroad the fame of Christ, of the wonders which He did, and of His teaching, Abgarus having heard of it, was astonished, and desired to see Christ, and could not leave his city and government. And about the days of the Passion and the plots of the Jews, Abgarus, being seized by an incurable disease, sent a letter to Christ by Ananias the courier, to the following effect:— To Jesus called Christ, Abgarus the governor of the country of the Edessenes, an unworthy slave. The multitude of the wonders done by you has been heard of by me, that you heal the blind, the lame, and the paralytic, and cure all the demoniacs; and on this account I entreat your goodness to come even to us, and escape from the plottings of the wicked Jews, which through envy they set in motion against you. My city is small, but large enough for both. Abgarus enjoined Ananias to take accurate account of Christ, of what appearance He was, and His stature, and His hair, and in a word everything.
And Ananias, having gone and given the letter, was carefully looking at Christ, but was unable to fix Him in his mind. And He knew as knowing the heart, and asked to wash Himself; and a towel was given Him; and when He had washed Himself, He wiped His face with it. And His image having been imprinted upon the linen, He gave it to Ananias, saying: Give this, and take back this message, to him that sent you: Peace to you and your city! For because of this I have come, to suffer for the world, and to rise again, and to raise up the forefathers. And after I have been taken up into the heavens I shall send you my disciple Thadaeus, who shall enlighten you, and guide you into all the truth, both you and your city.
And having received Ananias, and fallen down and adored the likeness, Abgarus was cured of his disease before Thadaeus came.”
An extract from the Acts of Thadaeus
639
Edessa occupied
Edessa welcomes Muslim occupiers, who are tolerant of Christians.
692
Mandylion image on gold coins
After negotiating peace with Muslims in the region, Byzantine Emperor Justinian II chooses to put the distinctive bearded image of Christ found on the Mandylion on his gold coins.

723
Iconoclasm in the Byzantine Empire
Outbreak of iconoclasm (image smashing) throughout the Byzantine Empire. In Edessa, the Mandylion remains safe under the protection of the Muslim leaders.
730
Saint John of Damascus publishes anti-iconoclastic thesis
Saint John of Damascus publishes an anti-iconoclastic thesis, On Holy Images, in which he describes the Edessa Cloth as bearing a miraculous image of Christ divinely imprinted on the cloth. Significantly, he describes the Holy Image as a himation (translated veil), which is a large Greek garment, and not as a small towel.
“It is said that King Abgarus of Edessa had sent a painter to make a portrait of Christ. But he was not able to do it because of the light that shone out of the Lord’s Face. So, taking a himation and placing it before his holy and life-giving face, Jesus impressed his image on it and sent it to King Abgarus, thus satisfying his desire.”
St. John Damascene
755
Pope Stephen III’s sermon
Pope Stephen III (r.752-757 AD) delivers a sermon in which he states that Christ:
“spread out his entire body on a linen cloth that was white as snow. On this cloth, marvellous as it is to see . . . the glorious image of the Lord’s face, and the length of his entire and most noble body, has been divinely transferred”.
787
Second Council of Nicaea affirms the use and veneration of icons
The Second Council of Nicaea declares that icons deserve reverence but not adoration, which is reserved for God. The bishops defend the veneration of images by teaching that Christ provided an image of his own for veneration, by miraculously imprinting his image on the Edessa cloth. This is described as the first icon (image) and not made by hand.
The council affirms the use and veneration of icons, including the Edessa Cloth, but stresses that they should be revered, not worshipped.
843
The bearded image of Christ is restored on Byzantine coinage
943
Edessa cloth changes hands
In exchange for a large sum of money and 200 Muslim prisoners, the cloth is removed from Edessa by the Byzantine army.
944
Edessa cloth arrives in Constantinople
The Edessa cloth arrives in Constantinople amidst much rejoicing on August 15th. It has a place of honour in the Pharos chapel of Constantinople’s Imperial Palace but is considered too holy to go on public display. Emperor Constantine VII personally inspects the cloth, and describes the image as being “extremely faint, more like a moist secretion without pigment or the painter’s art”.
Gregory Referendarius, the Archdeacon of the Hagia Sophia in Constantinople delivers a sermon that Christ “imprinted the reflection of his form on the linen”. He believes that the image had been formed by sweat, embellished by the blood on the side, which suggests that he had seen more than a face imprinted on the cloth.
“But Jesus, undergoing the passion of his own free will, believing that human nature fears death – indeed death comes upon the very nature that was made to live – taking this linen cloth he wiped the sweat that was falling down his face like drops of blood in his agony. And miraculously, just as he made everything from nothing in his divine strength, he imprinted the reflection of his form on the linen.”
“You wiped clean the sweat of the nature you had taken on and what was wiped clean was transformed into an image of your unchanging form. This reflection, however – let everyone be inspired with the explanation – has been imprinted only by the sweat from the face of the originator of life, falling like drops of blood, and by the finger of God. For these are the beauties that have made up the true imprint of Christ, since after the drops fell, it was embellished by drops from his own side. Both are highly instructive – blood and water there, here sweat and image”.
Gregory Referendarius
969
John I Tzimiskes Follis
Byzantine Emperor John I Tzimiskes (r.969-976) puts the bearded image of Christ on his bronze circulating follis instead of using his own portrait. To obtain a good likeness the engraver carefully copies the face on the Holy Mandylion, which has been in Constantinople for 25 years. The effect is striking, particularly when compared to the face on the Shroud of Turin.
The earliest coins were produced by engraving the design directly onto two metal dies. A metal disc would be heated to make it soft and then placed between the two dies before being struck sharply with a hammer to make the coin. To see what the engraver actually engraved onto the die to produce the image, one must flip the image that appears on the coin.

1130
The declaration of Orderic Vitalis
A monk called Orderic Vitalis declares that the mysterious cloth of Jesus bore “the majestic form of his whole body … supernaturally transferred”.
1192
Hungarian Pray Manuscript
Illustrations on the Hungarian Pray Manuscript (also known as the Pray Codex) depict the crucifixion and resurrection of Christ. The artist may have been familiar with the cloth in Constantinople, perhaps when King Bela III of Hungary lived there between 1163 and 1172. The drawings depict the Shroud as a long narrow rectangular cloth enveloping the body lengthwise. The naked body of Christ appears with his arms crossed on the pelvis, and with no thumbs on the hands, just as he appears on the Shroud. The artist also appears to have captured the unique herringbone pattern weave of the cloth, and the “L” shaped pattern of burn holes unique to the Shroud of Turin.

1203
Robert de Clari writes about “the shroud”
A French knight visiting Constantinople, Robert de Clari writes “the shroud in which the Lord had been wrapped, on every Friday … raised itself upright so that one could see the figure of our Lord on it”
Within Byzantine Art there is a curious tradition of depicting the crucified Jesus with his arms folded emerging out of a box. Is this how people like Robert de Clari would have seen the mysterious image on the cloth rising up before them in Constantinople?

1204
The Fourth Crusade
The French-led Fourth Crusade captures and destroys Constantinople. Priceless treasures from antiquity are looted and removed from the city by the victors. Afterwards, it is reported that the crusaders “have taken many relics, including the linen in which our Lord was wrapped”. Robert de Clari writes that “neither Greek nor Frenchman knew what had become of this shroud when the city was taken.”
1205
Theodore Angelos-Kommenos writes to Pope Innocent III
A letter to Pope Innocent III from Theodore Angelos-Kommenos, nephew of the former Byzantine Emperor Isaac II gives details about the destruction of Constantinople, and stated that the most sacred relic seized, “the linen in which our Lord Jesus Christ was wrapped” was now in Athens.
“In April last year, a crusading army, having falsely set out to liberate the Holy Land, instead laid waste the City of Constantine. During that sack, troops of Venice and France looted even the Holy Sanctuaries. The Venetians appropriated the treasures of gold, silver, and ivory, while the French did the same thing with the relics of the Saints and most sacred of all, the linen in which our Lord Jesus Christ was wrapped after his death and before the resurrection. We know that the secret objects are preserved by their predators, in Venice, in France, and other places, the sacred linen in Athens.”
Theodore Angelos, 1205
1213
Gervase of Tilbury confirms cloth shows the entire body of Christ
An account from Gervase of Tilbury c.1213 confirms that the linen cloth had a long history and shows the entire body of Christ. “The story is passed down from Archives of Ancient Authority that the Lord prostrated himself with his entire body, on the whitest linen, and so by divine power there was impressed on the linen a most beautiful imprint of not only the face, but the entire body of the Lord.”
1287
Arnaud Sabbatier claims to have seen piece of linen imprinted with the figure of a man
A young Frenchman called Arnaut Sabbatier would later claim that during a secret initiation ceremony conducted by the Knights Templar, a secret order of warrior monks, he was “shown a piece of linen imprinted with the figure of a man”.
1307
Friday the 13th!
In a dawn raid on Friday 13th October the Grand Master of the Knights Templar Jacques de Molay is arrested with sixty Templar knights. They are charged with heresy and accused (among other things) of worshipping the head of a bearded man.
1314
Jacques de Molay and Geoffrey de Charny burnt at the stake
After refusing to divulge the whereabouts of the treasures they guarded, de Molay and his deputy, Templar ‘draper’ Geoffrey de Charny are burnt at the stake in Paris on 18th March.

1349
De Charny descendant requests permission to display the Shroud
A descendant of the late Templar ‘draper’, also called Geoffrey de Charny requests permission from Pope Clement VI to display the burial shroud of Christ in his hometown of Lirey, in France. The family never reveal how the shroud has come into their possession. Their refusal leaves them open to accusations that they have created the shroud to establish Lirey as a place of pilgrimage and generate revenue.
The following links provide further information on this topic
The Sermon of Gregory Referendarius. Article by Mark Guscin published in BSTS Newsletter No. 60 (December 2004).
The Shroud of Turin in Constantinople from 944 AD. Article by Pam Moon and Jo Bywater published in BSTS Newsletter No. 92 (December 2020).